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Vojin Bakić
Vojin Bakić (; 5 June 1915 in Bjelovar – 18 December 1992) was a prominent Yugoslav sculptor of Serbian descent.
==Work and Artistic Career==
Bakić was an important figure, particularly in the 50’s and 60’s Croatian contemporary art scene, and collaborated with the group EXAT-51 and the Nove tendencije (New Tendencies) movement.〔(The grandfather of the wife of Dejan Košutić lived his life full volume ), Jutarnji List, 03/02/2007, (accessed, 23/02/2011)〕 He executed many public sculptures notably, the ''Call to Arms (the man from Bjelovar)'', Bjelovar (1946) the ''Monument to the Revolution'' in Kamensko (1958–1968), the ''Monument to the Train Accident Victims'' in Zagreb (1975–1978), as well as monuments in Kragujevac, Dotrščina (Valley of Graves) and on Petrova Gora (1982).〔Marčinković, Darko - (The symbolic return of the sculptor to his birth town after 19 years ), Večernji List, 08/12/2010, (accessed, 23/02/2011).〕
After 1945 he gravitated towards the impressionistic treatment of the surface. This period is primarily marked by his portraits of Ivan Goran Kovačić (1946) and Silvije Strahimir Kranjčević (1948). During the 1950s Bakić reduced the volume of his sculptures by the use of sharp fractures as edges, and later by merging the details of the sculptural mass (''Self-portrait'', 1952 and ''sketch for the Marx and Engels Monument'', 1950–1953). During that time, he made an entire series of bull sculptures in various dimensions (''Bull'', 1950, 1956). With the series entitled ''Nudes, Torsos and Heads'' he completed his focus on organic, associative shapes, and from 1958 he turned towards the challenge of open forms, inner spaces and light reflections. Further professional development made him the first artist in a local context to follow the principles of geometric abstraction and to start the study of optic effects. By alternating concave and convex surfaces, he made “light shapes” which were close to constructivist poetics. In ''Elaborated Surfaces'' (1960–1964) he articulated strict and consistent units made of lined-up elements, whereas in ''Light-bearing Shapes'' (1963–1964) he created effective structures by means of modulating identical mirror units, for which he also used new materials, such as stainless steel.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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